Mile 22 isn't lacking when it comes to hard-hitting action, but is undone by its confused narrative and over-rushed attempt at franchise-building.
Crazy Rich Asians is a spectacular, heartwarming instant classic of a romantic comedy that brings some much-needed representation to the genre.
The Meg is an entertaining underwater monster movie and summer thrill ride that wholeheartedly embraces its inherent cheesiness without overdoing it.
BlacKkKlansman is a well-crafted dramatization of real events and one of Spike Lee's more effective cinematic sermons on racism in recent memory.
Christopher Robin is a re-imagining full of heart and soul that, like the best Disney features, has something of value to offer audiences of all ages.
The Darkest Minds is a solid enough dystopian sci-fi YA adaptation, elevated by Amandla Stenberg's performance, but it won't revive this film trend.
The Spy Who Dumped Me is an enjoyable female buddy romp that delivers sharp action and solid laughs - despite its shortcomings as a spy movie parody.
Teen Titans GO! To the Movies is solid entertainment for the kids, but it's undermined by a thin story that only scratches the surface.
Blindspotting effectively balances buddy comedy with astute social commentary, providing fun and gut-wrenching anger and despair in equal measure.
Fallout is not only (easily) the best pure action movie of Summer 2018, it's also the perfect culmination of the Mission: Impossible films thus far.
For Mamma Mia! fans, Here We Go Again! offers a jubilant return to the unapologetically silly world of the original ABBA stage musical-turned movie.
The Equalizer 2 is an equally stylish sequel to Antoine Fuqua and Denzel Washington's action drama, but with fewer thrills and surprises.
Eighth Grade masterfully captures the emotional horror of being a Generation Z middle-schooler, yet tells a universally relatable coming of age story.
Skyscraper is a serviceable action vehicle for a charming Dwayne Johnson, but even he can’t save it from repetitive set pieces and a stale story.
Boots Riley's Sorry to Bother You ambitiously pushes the envelope of the sci-fi and comedy genres for a wholly unique, refreshing and hilarious film.
How It Ends tries to balance drama and thrills with a sci-fi premise, but ultimately fails to deliver in this bland but beautiful apocalypse film.
Fueled by quietly moving performances and personal storytelling, Leave No Trace makes for a tender portrait of a broken father and his daughter.
Ant-Man and the Wasp is a hilarious return to the shrinking heroes, but with elevated action and a heartfelt story, it's a well-rounded Marvel sequel.
The First Purge is as schlocky and ham-fisted as the Purge films before it, yet its political subtext justifies the franchise's continued existence.